Duchamp After Unbekannt
Stephen Lauf




2026.03.13

Bachelor of Architectures



2025.03.13

451 Rhawn Gallery



2023.03.13
From The Discovery of Piranesi's Final Project
13 March 2023   Monday
"In the future, all the world's a next project projectile stage."



2004.03.13
Re: to serve a larger purpose
I wonder when there is going to be an Apostate Architecture symposium.
Let's have a vote:
Do you prefer Republican Architecture or Democrat Architecture or Independent Architecture?
Is it true that someone somewhere is working on a book entitled The Architecture of Taxation?
Chapter One: Money Bags
Chapter Two: Hand to Mouth
Chapter Three: The Art of Evasion
Chapter Four: Deductible Dependents
Chapter Five: Attachments
Chapter Six: Chapter Eleven
Chapter Seven: Schloss Schatzkammer 4 sale



2003.03.13
reenactment a day keeps future away
I forget where I put my book on mnemonics!
What does the rough edge of a tongue have to with Uranus in Pisces anyway? it was "the fruits of Uranus in Pisces."
Were your parents really married on the solstice?
I accidently took some liquid haldol and cogentin mixed in juice once. nothing happened. [Or so he thought.]
Tangled web goes this way and alzheimer goes that way
I just won $8000 in the lottery. What should I buy now?
No doubt the artist suffered from rubbing his Duchampiana oeuvre way too much.



2002.03.13
Philadelphia Museum of Art























Fractional Self Portrait with Étant donnés' Back Door



1943.03.12
1943. Saturday, New York City
"15 Early 15 Late Paintings," an exhibition organized at short notice by Max Ernst's son, Jimmy, opens at Art of the Century [5.1.1943]. Although the other artists are represented by both an early and a late work, just an early canvas by Duchamp is hung: Jeune Homme triste dans un Train [17.2.1913] from Peggy Guggenheim's own collection [20.10.1942].
The exhibition replaces one based on the magazine VVV organized by André Breton which was cancelled when Breton insisted that an advertisement for Art of the Century in VVV should be paid for and Peggy Guggenheim refused. Edited by David Hare with Breton and Max Ernst as editorial advisors, the first issue of VVV appeared in June 1942 with a cover by Max Ernst.
In the current number entitled "Almanac for 1943", it is Duchamp, now the third editorial advisor, who has designed the cover. On the front, overprinted with the title of the magazine, Duchamp has used a readymade print, Allegory of Death: a "bizarre horseman", armed with a scythe, wears a doublet decorated with the stars and stripes; his h=mount has the characteristics of both a globe and a horse, incorporating the sun above it and a crescent moon below.
The back cover has been fashioned with the assistance of Frederick Kiesler: a female torso in profile, drawn by Duchamp, has been cut out and wire netting inserted in the opening. On the last page, opposite the inside back cover, there is a photograph of Peggy Guggenheim's daughter, Pegeen Guggenheim, showing readers how to preform the "Twin-Touch-Test": "Put the magazine flat on the table, lift back cover into vertical position, join hands on both sides of the wire screen towards you."
Ephemerides




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Duchamp After Unbekannt



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Stephen Lauf © 2025.08.02