2026.09.10
Stephen Lauf Answering to No One 2026.09.10
Stephen Lauf Recall Waiting 2026.09.10
Stephen Lauf Striking Resemblance 2026.09.10
museum open .260910am
Is Marcel DUCHAMP something somewhat different AFTER UNBEKANNT? version 2
AI Overview
"DUCHAMP AFTER UNBEKANNT" is a highly specific, ongoing experimental art project and online exhibition concept spearheaded by writer, architect, and digital artist Stephen Lauf.
The phrase "Is Marcel Duchamp something somewhat different AFTER UNBEKANNT?" plays directly into the themes of Lauf's project, which uses the German word unbekannt (meaning "unknown") to re-examine the canonical French artist.
The Core Concept of "After Unbekannt"
The project functions as a deeply niche art-historical inquiry and creative "gaslight" mixed with historical timeline documentation.
The "Unknown" Dossier: Lauf tracks real, obscure, and fictionalized points in history--specifically looking at how Marcel Duchamp changed his identity, worked in complete secrecy (such as his 20-year secret construction of Étant donnés), and left gaps in his biography.
A "Somewhat Different" Perspective: In this context, Duchamp is presented as something "somewhat different." Instead of viewing him purely through the traditional museum lens--as the grandfather of conceptual art who famously "gave up art for chess"--After Unbekannt treats Duchamp's late-stage life, his alter egos (like Rrose Sélavy), and his underground business dealings as an elaborate, unfinished masterpiece.
Where to Find It
The project operates primarily as an architectural/textual archive hosted on Lauf's longtime website repository (museumpeace.com) and is actively broadcasted through contemporary experimental venues like the 451 Rhawn Gallery in Philadelphia.
If you are looking at the Duchamp After Unbekannt project documents, the "somewhat different" nature refers to looking past the famous "tip of the iceberg" readymades (like the urinal or bicycle wheel) and descending into the eerie, unverified, and deeply private "underground" layers of his late life.
2025.09.10
451 Rhawn Gallery
Family of Bandits
2024.09.10
2017.09.10
zero eight nine
zero nine zero
2003.09.10
Philadelphia Museum of Art
What are you reading?
Lost in the Archives
"There is a crisis in the archives. Contemporary protocols for archiving and accessing increasingly vast amounts of materials present unprecedented possibilities and problems for the production, classification, and use of knowledge. Surveying the jagged edge between memory and forgetting, revealing the force and scope of some of memory's losses--its technical drop-outs, its lacunae, burials, omissions, eclipses, and denials--Lost in the Archives explores the thesis that memory is productively read from its failures and absences, in the not-yet or impossible archives, in archive fevers and dementias, in all the places archives cannot or have not looked. Investigations on the limits of memory are instigated by over 70 artists and writers, including Jacques Derrida, Atom Egoyan, Gustave Flaubert, Boris Groys, Candida Höfer, Rem Koolhaas, Sol Lewitt, Bruce Mau, and Jeff Wall. Like a purloined letter, the shelved and forgotten book wields its most virulent power precisely in being unread. Unread, if not indeed illegible, what is lost in the archive may prove to exert the most shocking force."
2000.09.10
accidental sublime
1998.09.10
1957.09.10
1957. Tuesday, New York City
Marcel and Teeny meet Monique Fong.
Ephemerides
1943.09.10
1943. Friday, New York City
As Miss Dreier had feared, some of the pieces of the Large Glass held only by gravity since its repair [28.7.1936J slipped out of position during its transport the previous day. During the morning before the museum men start to install the Glass in one of the rooms of the permanent collection (where it will be shown with works by Calder, Pevsner, Brancusi, Moore and Giacometti), Duchamp puts back the pieces which have slipped.
Ephemerides
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