2024.10.18
451 Rhawn Gallery
2023.10.18
From The Discovery of Piranesi's Final Project:
18 October 2023 Wednesday
I want write about how The Discovery of Piranesi's Final Project, for fourteen months now, has been the best part of my days--about three hours doing each day and about two hours thinking each night. Furthermore, the discovery's development was one surprise after another; very little was planned after the pages became daily productions.
I may be the last living descendant of Ferdinand and Juliana Lauf to actually know where they lived, because I've actually been there.
Red October in Philadelphia 2023--it's a real thing.
Without my even knowing it then, for a couple of years in the late 1970s, I was on close terms with members of the last Palestinian Governor of Galilee's family. Of course there was a degree of separation, but only barely.
2007.10.18
why you should feel badass as an architect!
We here at Barberini Faun Innuen. are at the final programming draft for a series of architect stud farms--Nuts-n-Bolts.
2007.10.18
More creative before or after sex?
There is no before or after; it's always sex for me.
2004.10.18
Artifact of Ottopia No. 84
The Driver's Seat: Vanessa wo bist du?
Artifact of Ottopia No. 86
The Driver's Seat: real and virtual
Artifact of Ottopia No. 88
The Driver's Seat: playing a Lord
Artifact of Ottopia No. 91
The Driver's Seat: remember it's 1975
Artifact of Ottopia No. 96
The Driver's Seat: "This movie really sucks, doesn't it?"
2002.10.18
Re: reenacting Primarily Not Duchamp
Cher (and cher alike) Bill:
First off, I think you're lying when you say, "I can't find your Duchampiana," but then again, maybe you're telling the truth since the exhibit is indeed called "Primarily Not Duchamp" suggesting (at least) that the exhibit was/is primarily something other than Duchamp(iana). You say you fell into a statement (of) mine, while I and my work fell into (or is it through?) the cracks it seems, at least from my perspective relative to yours. [Then again, maybe you just didn't 'get' the hyperlinks (and thus didn't view the exhibit at all), which is understandable, but not necessarily tolerable.]
Ah, the (ongoing stereotypic) clichés regarding art and wall, artist and architect; one thinks how primitive it all really is, the notion of art on (cave) walls, that is. Plus, who exactly are these "architects [that] hate painting so much that they take up painting to show how to make a work of virtual space that does not push the walls around in actual space? I'm requesting you provide evidence!
And, as to "transmogrification into bits in virtual space" isn't that more or less exactly what Duchamp did himself to his own art via De Ou Par Marcel Duchamp Ou Rrose Selavy (1935-41)?
Thanks for extending Primarily Not Duchamp into performance.
2001.10.18
Re: building text
You know, if I were a blind person, encountering a building covered with braille might be something that takes my appreciation of both history and architecture to a new level, because then I might have a pretty good idea of how ancient Egyptians felt when they 'sensed' their buildings.
1993.10.18
Untitled
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