2025.05.25
451 Rhawn Gallery exhibiting . . .
Stephen Lauf
AFFECTIONATELY ENTITLED BARNS AND NO BELL
50000 USD tax included
451 Rhawn Gallery . . . 20:20:36
   
451 Rhawn Gallery . . . with a look inside CRACK NOISE.
2002.05.25
CQ MO
Since revisiting the Bernini double theater that I read about almost 25 years ago, I've come to greatly admire the creative fecundity of double theaters as both a means and an end within the creative process. There is something almost magical about working with a vehicle/medium where there are literally twice the possibilities and where inversion (of self, for example) and mirroring (again of self, for example) provide, again, double the possibilities. Or is it all just 'too much play(ing)' in what is really just a virtual place?
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