Art that can be construed as supporting LGBTQ+ rights
Stephen Lauf





From The Discovery of Piranesi's Final Project:
25 August 2022

2022.08.25





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2022.08.25





zero seven seven
2017.08.25





zero seven eight
2017.08.25


The Fountainhead: relevant?
The four architects had decided to achieve an effect of harmony and therefore not to use any historical style in its pure form. Peter Keating designed the white marble semi-Doric portico that rose over the main entrance, and the Venetian balconies for which new doors were cut. John Erik Snyte designed the small semi-Gothic spite surmounted by a cross, and the bandcourses of stylized acanthus leaves which were cut into the limestone of the walls. Gordon L. Prescott designed the semi-renaissance cornice, and the glass-enclosed terrace projecting from the third floor. Gus Webb designed a cubistic ornament to frame the original windows, and the modern neon sign up on the roof, which read: "The Hopton Stoddard Home for Subnormal Children."
"Comes the revolution," said Gus Webb, looking at the completed structure, "and every kid in the country will have a home like that!"
The original shape of the building remained discernable. It was not like a corpse whose fragments had been mercifully scattered; it was like a corpse hacked to pieces and reassembled.
--Ayn Rand, The Fountainhead (1943), pp. 385-6.

2022.08.25





1977.08.25




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www.museumpeace.com/36/3690f.htm
Stephen Lauf © 2024.08.25